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May 30, 2006

a town always within a town

from town to town

yet there, texts fit to repeat its people
there, words fill up to the edge to say the same

yet their town, they claim
is always different

May 28, 2006

never admire marble

but the hand that chisels

the shirt that fits you -
admire the taylor
that covers up your nakedness

but words are past times
smart warriors too
that put you in range

and up they grew

and false they turned
and their feelings shunned and dead

they carried on with false words like slaves must carry water
and each word testified religiously to their making sport

and each word copulated with the order of the day
all rules became a mission's lie to be fought for

they were bought out by the state
of things their greed loved now

their life hardended into concrete as if a lie turns true when engraved in stone

no dividing line

entered our spaces

we boys were with our feet on the ground
and swimming in the ocean we were weightless

and nights we rose with the stars
yes, and a nightingale was mediating with his song

one friend cried
and we crawled into each other's tears

and we recalled each other's ways:
Promise! I'm always your friend

tents were filled with rivalry

and each night
we boys moved
to another tent
until we came to rest with our best friend

sunset and sunrise
had their purpose again

we had no radios
we boys lived within our very own words

some brought their books and
we conjugated each other's words
we grew together like a classic's text

the small umbrella

was so useful that all rains brought us boys closer together

when we left the tent
assorted rain from above was our friend

and we walked ever so close
towards the thick forest
and then entered as if into the greenest cave
that could stop for us all rain

it's the unknown boy

that comes and cuts the grass
never to see the seeds of grass

his mind's behaviour pushes ahead
without regret he cuts grass short and orderly
pushing forward grass technology
to round out the mortgage on the house

and if his mind should ever grasp a meadow
that could have grown limitless from all seeds unseen
the unknown boy will be called something like a grown man
who was not cut short by nature
but apprenticed and then made use of
by culture's sport

much is incomplete

tentative- beware of perfection hidden coercively in texts

beware of norms: enforcer of absolute categories

series of events indicate the fiction of the law now circumvented
only to eviscerate it further
then to recall all that which was before to be implemented once more


no congruence with grammar as if an essence
no word fits a patchwork of events that retires texts


no action ...ever pretty
no sport not to advance your body against...
no word not to turn your mind against...
all fruits of unquestioned complicity

May 27, 2006

an observation

repeated daily
to decipher flaws
in the other's practice

if it's art or camouflage
if it's turning and a chipping away away from reality

notion of a 'false' role,

an act put on
to hide even deeper
within a no-where-land of a village

a peculiar anti-mall like behaviour
that sharpens one's perception
to staged acts

the cheeks of the face
enacting a repetiton
of a merely perverted know-how

as if a dance of perversities
for commercial purposes
a wall
visible enough
thick enough
never to be pierced by words

May 26, 2006

they talked and talked

and soon all naked trees
were covered up with leaves and more leaves

and soon wise men learned
and used words
to cover up with news

all that which is
and all that which is not to be

words between

you and me
have their function
as destruction
of you and me

words carry forth their arrows
informed by authority

until you and me
are made speechless
fenced in trapped by sharp arrows
poison of words

they got friends

until the movie ends

and
words return
take over the day

and
words tell what feeling was
and how life
always was a hero's war

they react to each other

via a movie

life itself plays in movies

image and music inform
your feeling's conformity covered up with news

an object -i am- comes to life in the eyes of others
when i - the object-begins to resemble something other than a dead object,
an object subjected to some 'higher' form

and if dead, this state creates commotions around me -
the object made useful, authority's fodder

sincerity reduced to 'true' interpretation of the movie,
your feeling tuned by some song a harmonic object, desire's substitute

language a few words already heard by others
used language, second hand between you and me
relates always to something 'outside' us - to others, not to 'us' -
the objects to be levelled, objectively transformed
by law that informs language

downplay the object
so that idelogy comes down to life so law rises

sucking up all objects -
the formerly you,
the i's
all into some totality, the Great non-human object

May 21, 2006

their imagination circulates

with that which is given them:
as if an ever more constricting diet of imagination
lifelong to be repeated

which constitutes their community's organism,
no head, but a collective obedience

all subjectivity eliminated;
one public voice, a meaningless opinion
like a thunder, a unifying sound addressed to everyone:
everyone responding in a uniform voice

a sensibility alien to choice that never practiced liberty

an imagination infested with fear of the stranger
a community copulating in darkness ever darker
their very own flesh a plague of fantasies

May 20, 2006

chains - the sport of public opinion -

language's product

no neighbour knocks at your door
to enhance your freedom to cry for more liberty
nor to inquire about your progress towards your individuality

neighbours - public opinion's most loyal servants
always sinister as any enemy
spying from across the border

and there
where there is no theatre
each figure parades its masque in conformity
each extreme movement a true representative of authority:
specialist and executor of lies

May 18, 2006

words are so thin so feeble as if not free

thrive only with physical reinforcement,
like a law enforced like bricks embedded in cement

thus all lies embed in sweet harmony's coercion
like all love ordered accords with irremovable law

nature's gain rebuked all words turned dead

where there is much food

there's much danger


where there is much paper money
no tree returns from enhanced inflation


a hit parade without songs:
history without wars


speak not,
sing what no word can tell

if we would return to before all these words
we would have friends
that speak in silence
and each other's understanding
would show unencumbered

culture makes up texts

that need to be transformed

thus culture stays the same
only words change

and those who speak are made either
narrower or taller,
turned into warrior,
only poets take a fall

nothing human

about texts ruling coercively

dark as night
as bright as coercive texts
forcing themselves upon the free play of daylight

the repetitive horror of walls
when minds enter into crisis
signifying language's end
and an old nation by a different name

all meanings subject themselves to review
a transformation turning over life's order

a tradition of coercion bereft of any future
hailed as an advanced return of a better past

and the battlefields red from blood horrific scream
are at last dead
silenced in every curriculum

May 14, 2006

first

they relate words to each other,
orderly sentences
molecules of grammar

then ejaculated orders
imply relationship's failure
language's scripted crime

logic

by some measure
a form of pain, a stranger to nature

go as far as math and formula reach
then expect the boomerang, the echo,
the most singular event at the end:
a loop closing in upon itself

an insect

lives its secret,
humans act their words


all noise hints at logic's failure


return all words to song
so time's wounds
can reach the understanding

images

belie life

a word: life's ultimate competitor

sounds that make words

come to a standstill

sentences collapse into themselves

a language dissipated,
defeated voices

writers

constitute themselves as traders

readers are traitors
once they pick up images as tools and crutches
illusive fortifications, walls construed as belief


images alter

not themselves
but alternate between those
who hunger for them

not fooled by movements

reversals of words

draw no lines
join no circle
think no frame

yet time acts,
relies on words alone